The artist starts from objects and images that historically have been associated with the concept of work, such as money, agricultural products, tools of traditional crafts and political symbols, and adds a new meaning, fundamentally visual, through which he questions the definitions of art, production, value, originality and legitimacy. In this way, he establishes a series of contrasts between the original pieces and the interventions that reveal their non-capitalizable character and speak of work as an action that is transformed.